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View of Dresden with the Augustus Bridge over the Elbe River and the Hofkirche

author of the engraving: Bellotto, Bernardo (1721-1780)

author of the original: Bellotto, Bernardo (1721-1780)

date: 1748

place of creation: Dresden (Germany)

object type: print

material: paper

technique: etching

dimensions: plate imprint 535 x 835 mm, sheet 745 x 1007 mm

signature:
right bottom corner: Peint dessiné., et gravé par Bernard Bellotto dit Canaletto Peiň: Rle: / 1748
inscription:
[inscription divided by the coat of arms]: Perspective du Pont de Dresde sur L’Elbe, tirée de la veuë du Palais de S. M. dit / d’Hollande avec La part Latérale de L’eglise catolique et batimens contigús.;
left bottom corner: Ce Tableau fait par ordre de S. M. Le Roy de Pologne et Elec~: de Sax. &&&.
  • Allgemeines Künstler-Lexikon. Die bildenden Künstler aller Zeiten und Völker, München / Leipzig 1997, t. 1, s. 395 (cykl)
  • Andresen, Andreas, Wessely, Joseph Eduard, Handbuch für Kupferstichsammler oder Lexikon der Kupferstecher, Maler, Radirer und Formschneider aller Länder und Schulen nach Massgabe ihrer geschaetztesten Blaetter u. Werke, t. 1-2, Leipzig 1870-1873, t. 1, s. 225, w poz. 2 (cykl)
  • Bernardo Bellotto. W 300. rocznicę urodzin malarza, red. Magdalena Królikiewicz, Artur Badach, Warszawa 2022, kat. nr 23, s. 170-172.
  • Fritsche, Hellmuth Allwill, Bernardo Belotto genannt Canaletto, Burg 1936, s. 144, poz. VR 12
  • Heinecken, Karl Heinrich von, Dictionnaire des artistes, dont nous avons des estampes, t. 2, Leipzig 1788, seria Contentant la lettre B–Biz, s. 435, poz. 5
  • Heinz, Günther, Verzeichnis der Radierungen, [w:] Bernardo Bellotto genannt Canaletto. Ausstellung unter der Leitung von: Staatliche Kunstsammlung Dresden, Nationalmuseum Warschau, Kunsthistorisches Museum Wien, Wien 1965, s. 90, poz. 164
  • Le Blanc, Charles, Manuel de l'amateur d'estampes, t. 1-4, Paris 1854-1890, t. 1, s. 264, poz. 6
  • Manikowska, Ewa, Bernardo Bellotto i jego drezdeński apartament. O tożsamości społecznej i artystycznej weneckiego wedutysty, Warszawa 2014, s. 251-256 (cykl)
  • Meyer, Rudolph, Die beiden Canaletto – Antonio Canale und Bernardo Belotto, Dresden 1878, s. 41, poz. 12
  • Nagler, Georg Kaspar, Neues allgemeines Künstler-Lexicon oder Nachrichten von dem Leben und den Werken der Maler, Bildhauer, Baumeister, Kupferstecher etc., t. 1-22, München 1835-1852, t. 1, s. 395 (cykl)
  • Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, red. Ulrich Thieme, Felix Becker, t. V, Leipzig 1911, s. 489 (cykl)
  • Vesme, Alexandre de, Le Peintre-graveur Italien. Ouvrage Faisant Suite au Peintre-graveur de Bartsch, Milan 1906, s. 494-495, poz. 12
  • Żak, Izabela, Dawna grafika włoska, t. 1-2, Wrocław 2017, s. 74, poz. 101
not on display

National Museum in Wrocław Department of Prints 16th–19th c.

inventory number: MNWr VII-2163

copyrights to object: PUBLIC DOMAIN
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Connecting Dresden’s Old and New Town, the Augustusbrücke is one of the city’s oldest bridges over the Elbe. It owes its name to the remodelling under Augustus II the Strong that gave it the form documented in the featured print. On the Elbe’s right bank rises the façade of the Cathedral of the Holy Trinity (Hofkirche) viewed from New Town. In contrast to Bellotto’s painting from 1751/1753 in the collection of the Gemäldegalerie Alte Meister in Dresden (Gal. Nr. 630), the prints and the painting in the National Gallery of Ireland (inv. no. 182) show the church’s tower without the scaffoldings that were there at the time. Behind the cathedral, the Zwinger is partially visible and in a distance the tower of the Kreuzkirche. One of two etchings made by Bellotto in 1765, after his return from Vienna, it shows the Kreuzkirche in ruins, destroyed by shelling by the Prussian artillery in 1760. Together, the two etchings document the church’s appearance before its destruction and before the reconstruction that started in 1764. Behind the bridge, in a distance, stretch the riverfront galleries and terraces adjoining the palace of Count von Brühl and looms the Baroque Frauenkirche.

Like in other prints from the Views of Dreden series, the foreground is enlivened by scenes from everyday life: townspeople enjoying themselves on the riverbank and raftsmen transporting timber unloaded on the shore. The same groups of figures also appear – in various configurations – in the veduta’s painted versions. The Hofkirche and Augustusbrücke provide the composition’s dominant accents, the monumentality of architecture enlivened by the oblique alignment of the arcaded stone bridge. Worthy of note is Bellotto’s masterful rendering of the bridge’s reflection in the river and enhancing the illusion of depth by varying the intensity of line.

keywords: Baroque  |  Dresden (Germany)  |  German graphics  |  Italian graphics  |  Court Church / Hofkirche / Dresden Cathedral (Dresden)  |  Elbe (river)  |  town  |  Augustus Bridge (Dresden)  |  panorama of the town  |  German art  |  veduta  |  views of Germany

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